Then the audio was received from the virtual audio cable software and processed with multiple effects in VSTHost.
I didn’t put much thought into which effects were used or what settings were used on SDRSharp. Normally the SDR (software defined radio) software works with receivers like Airspy and Funcube, but it can also process audio files and treat them as if they were radio signals.
Mashup: Spot 3, # 3 Rhythm & Blues left side and Spot 7, #11 T-40 right side.
This is from my collection of open reel tapes. I can’t remember if this tape is from my original collection from the late 1970s or Ian Allen’s collection of tapes given to KPFA. My understanding is the collection that Ian acquired was from tapes that were to be erased and reused. Luckily, a lot of those tapes were saved thanks to Negativland.
There’s part of an instrumental version of this ad on Negativland’s third album from 1983, “A Big 10-8 Place” at about 3:10 on Part 2 (side 2) of the LP or about 16:32 on the CD.
I believe the term “Rhythm and Blues” means the ad was marketed toward African Americans and “T-40” likely means “Top 40.”
The audio file signal was played and processed in SDRSharp and outputted through a virtual audio cable.
Then the audio was received from the virtual audio cable software and processed with multiple effects in VSTHost.
